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The Dog House Megaways. Piggy Riches Megaways. He employs a lot of fast cuts while presenting very stylized, documentary-like footage.
The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better. Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas.
The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such. The soundtrack is probably meant to match.
But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
Don't blame them. Really nice cocktails but the service was too bad. Hi Victoria, We would like to know more about your visit, what date and time did you attend?
What did you order? Do you remember who served you? Why has it taken a month to leave a review? Please feel free to drop us an Me and my boyfriend came during the week for a meal.
Originally sat at a table near the kitchen which was full of little flies, moved to the opposite side of the restaurant and again more flies.
We had our starter, which was edible, then left. Decided last minute to eat out with the eat out to help out scheme. We'd never been before and it wasn't our first choice but everywhere was booked up so we decided to try.
Booked online, table for 3 at pm. It came up with Arrived at about and there was a bit of shuffling and whispers as though they didn't have our reservation, but they sat us down.
We ordered drinks and food relatively quickly. And then waited And waited And waited. We drank our drinks and ordered a second round, it seemed a little slow but we were understanding as they were busy and obviously the eat out initiative is working so everywhere is full.
However, after an hour, , I asked where our food was as it was getting a bit ridiculous as the two tables to either side had ordered after us and finished their meals by this point.
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Landmarks of Montreal. Christ Church Cathedral Church of St. Michael and St. Sam meets and falls in love with beautiful hustler , dancer, and former prostitute Ginger McKenna.
They have a daughter and marry, but their marriage is quickly thrown into turmoil due to Ginger's relationship with her former boyfriend, con artist -turned- pimp Lester Diamond.
Ginger turns to alcohol and develops an increasingly problematic drug addiction. In , Sam fires slot manager Don Ward for incompetence.
When Ward's brother-in-law, Clark County Commission chairman Pat Webb, fails to convince Sam to rehire Don, Webb arranges for Sam's gaming license to be denied, jeopardizing his position.
Sam blames Nicky's recklessness for ongoing police and Nevada Gaming Board pressure, and the two argue furiously in the Mojave desert.
Sam starts hosting a local television talk show, upsetting both Nicky and the Chicago bosses for making himself such a public figure and bringing unwanted attention to their operations.
Piscano writes everything he knows about the operations in a notebook. Sam seeks to divorce Ginger, who kidnaps their daughter, planning to flee to Europe with her and Lester.
Sam convinces Ginger to return with Amy, then overhears her planning on the phone to kill him. Sam kicks her out of their home but later relents.
Ginger approaches Nicky to get her valuables from Sam's safe deposit box, and the two start an affair. Sam confronts and disowns Ginger, and ends his friendship with Nicky.
Nicky throws Ginger out when she demands he kill Sam. Drunk and furious, Ginger crashes her car into Sam's on the driveway and retrieves the key to their deposit box.
She takes the contents of the box but is arrested by the FBI as a witness. In , the FBI closes the casino and Green eventually cooperates with them.
Piscano dies of a heart attack when federal agents discover his notebook.