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Retrieved Karl Fink's Geschichte der Elementar-Mathematik 2nd ed. Chicago: Open Court Publishing Co. Norton, p. The sole value of these ratios is that they are intellectually fruitful and suggest the rhythms of modular design.
The New York Times. New York: Sterling. Euclid's Elements of Geometry. Mathematics Teacher. Historia Mathematica.
The MacTutor History of Mathematics archive. Wilfrid Laurier University Press. The Glorious Golden Ratio. Prometheus Books.
The Curves of Life. London: Constable and Company Ltd. Architecture NY. Reprinted: "Parameters of beauty". International Business Machines Corporation.
Archived from the original on December 5, Retrieved January 4, American Scientist. Mirrors of the Unseen: Journeys in Iran. Analysing Architecture pp.
George W. Retrieved March 10, Plus Magazine. Retrieved November 26, Retrieved September 26, Part of the process of becoming a mathematics writer is, it appears, learning that you cannot refer to the golden ratio without following the first mention by a phrase that goes something like 'which the ancient Greeks and others believed to have divine and mystical properties.
Yet both claims, along with various others in a similar vein, live on. Archived from the original on January 9, Retrieved April 9, Media 3.
Teaching Mathematics in the Block pp. The Form of the Book , p. Determined by Jan Tschichold Page proportion The lower outer corner of the text area is fixed by a diagonal as well.
The Form of the Book. The Structurist. Who would suspect, for example, that the switch plate for single light switches are standardized in terms of a Golden Rectangle?
Famous problems and their mathematicians. Libraries Unlimited. The Golden Ratio is a standard feature of many modern designs, from postcards and credit cards to posters and light-switch plates.
Cracking the Da Vinci code: the unauthorized guide to the facts behind Dan Brown's bestselling novel. The Golden Ratio also crops up in some very unlikely places: widescreen televisions, postcards, credit cards and photographs all commonly conform to its proportions.
London: Kahn and Averill. Debussy in Proportion: A Musical Analysis. Cambridge University Press. Debussy: La Mer.
Pearl Corporation. Archived from the original on December 19, Retrieved December 2, Accessed December 1, Nexus Network Journal.
Neue Lehre van den Proportionen des meschlischen Körpers. Marks, and Erica L. Flapan , eds. John Wiley and Sons: CRC Press.
Hailperin; Barbara K. Kaiser; Karl W. Knight If people get it fine, if they don't, well them's the breaks. But now after finally having seen a restored widescreen presentation courtesy of Anchor Bay I am convinced that one of the reasons why the effort left me cold the first few times through was due to the miserable, scrappy, fullscreen home video versions available previously which excluded as much as 12 minutes of footage.
I came of age during the home video years and heading out every week to the various rental shops in our area to see what Hammer or Hammer related flicks we could find became a regular past time.
Rumor had it that the movie involved Van Helsing tracing the elusive Count Dracula to colonial era China where he'd set up shop and acquired a taste for the local food.
Hijinx awaited in the form of supernatural kung-fu battles with a band of seven specialist martial arts masters, who were of course brothers, fighting off legions of vampiric barbarians.
Somehow the combination sounded like trying to mix oil with water and when I finally managed to find the meager VHS release of the film my apprehension was proved well- founded by a muddled mix of Gothic horror chills with difficult to follow chop-socky interludes.
The pan-and-scan compression of the widescreen shots was dizzying, the vampire interludes were anything but the dreamy "foggy castle on a hill" variety that Hammer had become specialists in, with lots of insert shots of Peter Cushing standing around looking concerned while Julie Ege's bosoms heaved, cruelly encased in her cleavage baring tops.
It turns out however that much of this muddling and cockamamie mish-mashing was due to the confinement of Roy Ward Baker directing the talking scenes and Cheh Chang's directing the martial arts scenes marvelous widescreen Techniscope photography into a claustrophobic, nappy lookin' fullscreen image.
Fading of color and reduction print distortions didn't help much, and my opinion now after seeing the widescreen print is that much of the disdain aimed at the film is in fact aimed at the miserable presentations that have been available until now.
Sure, it's still a bit cobbled together. The public didn't seem to care but the result were two very charming movies that had the gall to be different, even if horror fans had moved on.
Hammer was hoping to extend their life by coming up with some new series and their collaboration with Shaw Brothers productions was perhaps both ahead of its times while a year or three too late to save the company.
It was a glorious failure that deserves to be seen again now that present day technology can give viewers a better estimation of the movie's intended form.
It is surprisingly entertaining and compulsively watchable. It's still somewhat confusing if you are looking for a discreet, beginning-middle- end story progression.
Just by turning his head slightly to the side and raising an eyebrow Peter Cushing is a treat, nobody can look concerned or impart a sense of dire urgency into an audience like Peter Cushing: It may be an odd movie but it does feature some of his best work at appearing concerned and some of the urgencies that he imparts within viewers are the most dire of his career.
Yeah, he was getting old and tired and probably looked upon the movie as an expense paid trip to China to help him forget the sorrow of his wife's passing.
But by golly he made the movie and if he means anything to you it simply must be seen because it is his last screen turn as one of his classic Gothic horror characters.
Try it again, make sure it's a widescreen version, pop plenty of popcorn, perhaps an adult beverage or two, and put down the lights.
Turns out it's not a bad movie after all. Prime Video has you covered this holiday season with movies for the family.
Here are some of our picks to get you in the spirit. Get some picks. A relatively major decision was made in chapter 15, where Charles IV outlawed any conjurationes, confederationes, and conspirationes , meaning in particular the city alliances Städtebünde , but also other communal leagues that had sprung up through the communal movement in mediaeval Europe.
Most Städtebünde were subsequently dissolved, [ citation needed ] sometimes forcibly, and where refounded, their political influence was much reduced.
The pope 's involvement with the Golden Bull of was basically nonexistent, which was significant in the history of relations between the popes and the emperors.
When Charles IV laid down procedure for electing a King of the Romans, he mentioned nothing about receiving papal confirmation of the election.
From Wikipedia, the free encyclopedia. For other uses, see Golden Bull. January 10, chapters 1—23 ; December 25, chapters 24— The Golden Bull of AD.
Praeger Publishers, , p. Praeger Publishers, , Tauris, , Electors of the Holy Roman Empire from to Added in the 17th century.
Added in the 19th century. Helga Denningsen Marc Hosemann Siggi Honka Martina Eitner-Acheampong Frida Victoria Trauttmansdorff Gisela Hark Bohm Dornkaat-Max Greta Sophie Schmidt Petra Schulz Jessica Kosmalla Ruth Heinz Strunk Kriegsveteran Laurens Walter Fritz Honka jung Uwe Rohde Edit Storyline A serial killer strikes fear in the hearts of residents of Hamburg during the early s.
Edit Did You Know? Trivia A female psychologist was brought on to set to help actors deal with the rape scenes. Quotes Siggi Honka : There are preciseIy three reasons why people drink: First, to forget about the bad things.
Second, to celebrate the good things. And third, when nothing's going on, to make things happen. Lomax as John A.
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